Jumat, 28 Desember 2012

[B526.Ebook] PDF Ebook Twenty Five Top Christmas Songs (Piano, Vocal, Guitar)From Hal Leonard

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Twenty Five Top Christmas Songs (Piano, Vocal, Guitar)From Hal Leonard

(Piano/Vocal/Guitar Songbook). Includes: Blue Christmas * C-H-R-I-S-T-M-A-S * The Christmas Song * The Christmas Waltz * Do You Hear What I Hear * Frosty the Snow Man * Have Yourself a Merry Little Christmas * Here Comes Santa Claus * A Holly Jolly Christmas * Jingle-Bell Rock * Last Christmas * Merry, Merry Christmas Baby * My Favorite Things * Pretty Paper * Silver Bells * Sleigh Ride * more.

  • Sales Rank: #2422934 in Books
  • Brand: Hal Leonard
  • Model: 490059
  • Published on: 1989-06-01
  • Released on: 1989-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .21" w x 9.00" l, .0 pounds
  • Binding: Sheet music
  • 78 pages
Features
  • 80 pagesSize: 12" x 9"Various ComposersISBN: 793527384

About the Author
Founded in 1947, Hal Leonard Corporation has become the worlds largest print music publisher, representing some of the greatest songwriters and artists of all time. We are proud to publish titles of interest to all musicians as well as music lovers, from songbooks and instructional titles to artist biographies and instrument price guides to books about the music industry and all the performing arts.

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2 of 3 people found the following review helpful.
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By Rugs
This item came weeks before it said it would. Very impressed and would definitely buy from here again.

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Five Stars
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[I118.Ebook] Ebook Download The Art of Image Processing with Java (Hardback) - Common, by , by (author) Kenny A. Hunt

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While most other image processing texts approach this subject from an engineering perspective, The Art of Image Processing with Java places image processing within the realm of both engineering and computer science students by emphasizing software design. Ideal for students studying computer science or software engineering, it clearly teaches them the fundamentals of image processing. Accompanied ...

  • Published on: 2011
  • Binding: Hardcover
  • 300 pages

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Minggu, 23 Desember 2012

[K678.Ebook] Download PDF Morning Trading: Handbook with integrated EXCEL setups and price action rules, by Dr. Volker Wendel

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Morning Trading: Handbook with integrated EXCEL setups and price action rules, by Dr. Volker Wendel

The unique advantage of this handbook is the combination of a systematic analysis methodology with powerful EXCEL tools (free download from Dropbox). The functionality of the EXCEL tools covers price and volume indicators, swing pivots, candle stick patterns, Fibonacci retracements and extensions, Wolfe waves and Elliot Waves. These tools define the current market structure and select the corresponding setups that will be used as a framework for dedicated price action monitoring rules.
The price action monitoring starts with the transition from last day's closing via overnight movements to the regular opening phase and is continued after the regular opening, leading to clear entry rules.
Using this trading method helps you achieve a new, efficient trading style focused on large price moves following predictive patterns during the morning hour. The setups presented converge in the last chapter to a final technique for early detection of trend days, which helps avoid overtrading by aiming at “one good trade per day”.

  • Sales Rank: #905045 in eBooks
  • Published on: 2015-04-19
  • Released on: 2015-04-19
  • Format: Kindle eBook

About the Author
Dr.Volker Wendel has served for many years as R&D manger in the automation industry in Germany. He holds a doctorate in Systems Engineering from the City University of London. For more than 15 years he has been an active trader and used his R&D experience for developing a systematic approach to short term trading.

Most helpful customer reviews

2 of 2 people found the following review helpful.
I love his idea of the targeted time frame because this ...
By JonnyONTHEspot
This handbook has revealed how little I actually knew about trading. I have only been trading for 18 months and I am yet to be profitable however as I slowly digest and understand this manual by Dr. Wendel I am confident it will make me profitable. I love his idea of the targeted time frame because this is when most moves happen anyways. I will update review after I have implemented his methods.
My only regret is not getting the book instead I got the Kindle edition.

1 of 1 people found the following review helpful.
Unless you are an EXCEL whiz, stay away. Same if you are newbie to stock trading.
By P. Dang
I think the author's intentions are good overall but my I had some concerns when I saw there was an EXCEL sheet in there. I had no problem downloading it but this poor sucker won't work and I am not an EXCEL expert. This EXCEL workbook is literally packed with all kinds of formulas they all those bells and whistles are thoroughly useless if you can't update it for yesterday's price. It would have been better for the other to get something that works on a website and maybe charge a few bucks to access something that works. I was one hair away from asking for a reimbursment but the author pepperred his book with a few links to free articles. Those might get some value. As the author clearly mentioned, this is not a book to learn technical analysis. Unless you are already familiar with terms like NR7-NR4, etc. you will need to refer to Investopedia big time.
This reason I will stick to a 1 star for this one is that the author does not show how to really use the workbook either. The book is extremely to the point to say the least and the author is very clear that if some of the links used to populate the workbook are dead one day or the address changes you will have to figure out a new source of data and retro-fit the spreadsheet accordingly.

2 of 3 people found the following review helpful.
Excellent read
By Theodor Tuschak
Very good. Nicely written and detailed explanations.

Starting to digg into the excel part. Looking to be able to adjust for different securities

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Sabtu, 22 Desember 2012

[I543.Ebook] PDF Download Red Ink: Inside the High-Stakes Politics of the Federal Budget, by David Wessel

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Red Ink: Inside the High-Stakes Politics of the Federal Budget, by David Wessel

The Pulitzer-Prize-winning reporter, columnist, and bestselling author of In Fed We Trust, dissects the federal budget in this New York Times bestseller.

In a sweeping narrative about the people and the politics behind the budget--a topic that is fiercely debated today in the halls of Congress and the media, and yet is often misunderstood by the American public--Wessel looks at the 2011 fiscal year (which ended September 30) to see where all the money was actually spent, and why the budget process has grown wildly out of control. Through the eyes of key people, including Jacob Lew, White House director of the Office of Management and Budget; Douglas Elmendorf, director of the Congressional Budget Office; Blackstone founder and former Commerce Secretary Pete Peterson; and more, Wessel gives readers an inside look at the making of our unsustainable budget.

  • Sales Rank: #180661 in Books
  • Published on: 2013-07-02
  • Released on: 2013-07-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .50" w x 5.20" l, .40 pounds
  • Binding: Paperback
  • 208 pages

Review
“An excellent book” –Fareed Zakaria

“Should be a first port of call for American voters sadly misinformed about their federal budget…Wessel’s aim is to explain for a general audience the basics of the budget – where the money comes from and goes to – and to make the explanation interesting. He succeeds.” –Financial Times

“Wessel…has an insider’s grasp of the players, issues and argot surrounding the budget. Yet he writes with an outsider’s eye, distilling his tale of the fiscal monster into about 150 pages of simple prose and a smattering of charts.” –Businessweek

“This is the most useful book on government spending since the publication of the classic work, The Debt and Deficit by Robert Heilbroner and Peter Bernstein. In the service of economic literacy, I wish that a few members of the House and the Senate would read the entire book aloud on the floor of the respective chambers (but don't hold your breath).” –Huffington Post

“The federal budget is an inherently complex subject that could easily become boring. But Wessel staves off yawns by painting miniature portraits of lovable wonks from across the spectrum…He gets right to the core of the problem: Big-ticket programs that much of the public loves but few want to pay for.” –Reason

“An extraordinarily useful book…For people unfamiliar with the ins and outs of the federal budget, it should be required reading. For those who already know their way around government finances, it is still a handy resource, but at the same time deeply depressing.” –Salon
 
“[Wessel] is blessed with the ability to make the obscure and arcane comprehensible.” –Canada Free Press

"Packed with facts and figures--not normally the sort of material that makes for riveting story-telling. Yet the plot of Red Ink is fascinating and frightening." –Daytona Beach News-Journal
 
“When laid out in front of us in the clam and talented hand of Wessel, we begin to understand in more detail exactly what we’re deciding on, and that while it’s not going to be easy, fixing the deficit is entirely doable... If you’re interested that dialogue and in further education instead of soundbites and the pontification of pundits this election season, then this is certainly a book for you.” –800 CEO Read

"A highly informative volume designed to give voters a grip on what exactly is at stake...Wessel doesn't tell you how to think, but he does give you the facts to think more clearly about what needs to be done." —Kirkus Reviews

"The inner workings of the federal budget and where the money goes by economics expert David Wessel...Controversy over whether tax increases of spending cuts should be made to defense, Medicare, or Social Security spending provides fuel for great debate." —Booklist

"A timely analysis." —Library Journal

“The federal budget deficit is among the country’s most discussed but least understood policy issues. If only everyone would read David Wessel’s Red Ink.”
 —Alan S. Blinder, professor of Economics and Public Affairs at Princeton University, former vice chairman, Federal Reserve Board
 
“Red Ink is the most concise, understandable, and focused book I have read about the dire problems we now face because of our burgeoning deficits and debt. It is not a pretty tale, but it is a tale all informed citizens should know.” —David M. Rubenstein, co-chief executive officer, The Carlyle Group
 
“Stop. Buy this book, or at least read the first chapter. David Wessel explains the approaching debt crisis in clear, concise, nonpartisan plain English. It will not only scare your pants off, it will motivate you to call your congressman and scream, ‘For God’s sake, enough partisanship, save America, cut spending, raise revenue, whatever! But do it and do it now.’” —Erskine Bowles, former chief of staff for Bill Clinton and co-chairman of Barack Obama’s National Commission on Fiscal Responsibility
 
“In Red Ink David Wessel has accomplished two miracles: he has made a budget book interesting and he has deciphered the behavior of Washington for Americans beyond the Beltway. Nicely done.” —Douglas Holtz-Eakin, former director of the Congressional Budget Office

“David Wessel’s Red Ink is a wise and pithy introduction to the great economic issue of our time.” —N. Gregory Mankiw, professor of Economics, Harvard University
 
“I wish every voter would read this book. It spells out in a clear, non-partisan way the realities of the deficit, how we got here, and the hard choices that lie ahead. The message is painful, but the book is not -- it is engaging, thoughtful, and a pleasure to read.” —Christina D. Romer, former Chair of the Council of Economic Advisers and current professor of Economics at the University of California, Berkeley

“David Wessel does a first rate job at providing insight into complex fiscal issues. Anyone wanting to understand key players, pivotal moments, and high stakes in the critical issue of America's long-term unsustainable debts would be very well served by Red Ink.” —Peter G. Peterson, former U.S. Secretary of Commerce, founder of the Peter G. Peterson Foundation, and author of the bestseller, Running on Empty


From the Hardcover edition.

About the Author
David Wessel is a senior fellow in Economic Studies at Brookings and director of the Hutchins Center on Fiscal and Monetary Policy. Previously, he was the economics editor of The Wall Street Journal where he wrote "The Capital" column, a weekly look at forces shaping living standards around the world. Wessel joined The Wall Street Journal in 1983 after working at the Hartford Courant and the Boston Globe. He is a frequent guest on NPR's Morning Edition and has shared two Pulitzer Prizes. He and his wife live in Washington, D.C.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1

Spending $400 Million an Hour

In the cold predawn darkness of Monday, February 13, 2012, Robert Friedlander walked into a Starbucks three blocks from the White House. As they had been instructed by e‑mail the night before, a half dozen reporters were waiting for him—one each from Dow Jones, Bloomberg, Reuters, Associated Press, Politico, and the Washington Post. With no ceremony and not much conversation, the young White House budget office aide slipped each of them a CD in a plain, square white envelope. The contents: President Barack Obama’s budget for the coming fiscal year. “It’s embargoed until 11:15,” he said. Friedlander’s inside-the-Beltway shorthand meant the reporters had about five hours to scour the documents before publishing stories on newswires and Web sites. At 11:15 a.m., the president was to begin speaking about the budget at a northern Virginia community college.

Every president since Warren Harding has been required by law to send an annual budget to Congress. It’s the only time that the chief executive of the United States has to make his promises add up. The modern version comes in three formats: free online, $27 for the CD, or $218 for the printed four-volume paperback set. The budget is one part rhetoric by the party in power that highlights—depending on the times—the government’s largesse or its tightfistedness. A second part details how the president would, if Congress went along, spend a sum equal to the value of all the goods and services produced by the 82 million people of Germany, the world’s fourth-largest economy. And in its modern form, a third part is dire prediction, a collection of uncomfortable, indisputable facts showing the unsustainable fiscal course the U.S. government is on.

The budget doesn’t record what might have been. The document Obama released in February did not, for instance, acknowledge intense summertime talks the president had with Republican House Speaker John Boehner that failed to end a stalemate over spending and taxes. And for all its excruciating detail, the president’s budget doesn’t ultimately settle anything; the Constitution gives Congress the power to tax and spend. But neither is “presbud”—as it’s known to insiders on congressional committees that decide how to spend taxpayers’ money—irrelevant. The budget is the starting point for an annual round of maneuvering that ranges from high-minded debate about national priorities and “hard choices” to big-money lobbying and small favors for home-state constituents. The details buried in it—which programs should live and which should die, which should get more and which should get less—often become law.

Ultimately, the federal government’s power comes in three forms: its physical force, both foreign and domestic; its ability to make and enforce rules that govern our lives; and its power to tax and spend. The budget—and this book—is about the third form. With far more precision than thirty-second sound bites or campaign stump speeches, the president’s budget and alternatives crafted by the opposition in Congress reflect contrasting visions for the size of government in America and the role it plays in the economy. How strong and generous a safety net should government provide to the poor? How much should taxpayers invest in medical research? How hard should government lean against market forces that are widening the gap between winners and losers in the economy? How much should spending be cut to rein in the deficit, and how much should taxes be raised if at all?

Anyone in Washington who is serious about trying to steer the government to the right or to the left understands the power and import of decisions on taxes and spending embodied in the budget. Among them are Jack Lew and Paul Ryan, both steeped in fiscal details big and small. The two illustrate the competing visions for government and the use of the budget as an important, perhaps the only important, way to achieve them. As director of the White House Office of Management and Budget, Lew, fifty-six, put the finishing touches on Obama’s February plan just as the president named him White House chief of staff. Ryan, forty-two, a Republican congressman from Wisconsin and the chairman of the House Budget Committee, promptly criticized the Obama budget—“broken promises, failed leadership and a diminished future,” he said—and set to work on an alternative.

Jacob “Jack” Lew got his start in politics in 1968, at age twelve, as a volunteer for anti–Vietnam War presidential candidate Eugene McCarthy. Lew has never run for office, but he has been at the elbow of influential Democrats from the late House Speaker Tip O’Neill and New York congresswoman Bella Abzug to Secretary of State Hillary Clinton and President Obama. An Orthodox Jew who avoids working on Friday nights and Saturdays except when duty calls, Lew is truly convinced of the government’s power to do good. When he took over the budget office, he replaced the portrait of Alexander Hamilton that had been hung by his predecessor, Peter Orszag, with paintings of his native New York City done by artists working for the government’s Works Progress Administration in the 1930s.

Lew is tall and lanky, his thick black hair just beginning to gray and his oval wire-rim glasses exactly what one would expect of a budget wonk. But Lew, who also was budget director for Bill Clinton, is the sort of wonk who can say sincerely: “I have a soft spot for Medicaid”—the government health insurance program for the poor funded jointly by state and federal governments—“because it’s the thing that’s easy for the political system to mischaracterize.

“For the most part, it’s a lot of people who don’t have insurance, who are poor. Slashing it would mean we’d be in a world where the most vulnerable were getting sicker and sicker and ultimately showing up in the hospital.”

Jack Lew believes in government. The budget is a means to that end. “The purpose of power is to get things done,” he once said. “Budgets aren’t books of numbers. They’re a tapestry, the fabric, of what we believe. The numbers tell a story, a self-portrait of what we are as a country.”

Paul Ryan is wiry, intense, energetic, and just as sincere as Lew—in the opposite direction. His quest: to limit the size of government, including spending less on Medicaid and almost everything else. His weapon of choice: the budget. In 2007, he vaulted over more senior congressmen to become the ranking Republican on the House Budget Committee, which is charged with crafting an annual budget blueprint for Congress. He became chairman in 2011 when Republicans took control of the House.

Like Jack Lew, Ryan came to politics young, as a college intern with the foreign policy adviser to Senator Robert Kasten from his home state of Wisconsin. Later he worked for a think tank organized by influential conservative Republicans Jack Kemp and Bill Bennett and for Sam Brownback, then a Republican senator from Kansas. Eleven days after turning twenty-eight, Ryan announced he was running for Congress from southeastern Wisconsin—and ended up with a stunning 57.2 percent of the vote in 1998, a stunning margin in a district that, as Ryan notes frequently, went for Democrats Bill Clinton, Al Gore, and Barack Obama. He has won even bigger majorities ever since.

With conviction and clarity that have conservatives salivating over him as a future presidential candidate, Ryan says, “I do believe government has a role in making sure we have a safety net to help people who cannot help themselves or are temporarily down on their luck, but I don’t want to see government turn that safety net into a hammock.”

Unlike Jack Lew, Paul Ryan doesn’t wear glasses. He had Lasik surgery in 2000. The surgery isn’t generally covered by insurance; the patient pays cash. Ryan has built that into his stump speech on why free markets can cure the health care cost of disease. “It cost me $2,000 an eye. Since then, it’s been revolutionized three times and now costs $800 an eye,” he says. “This sector isn’t immune from free-market principles.”

Ryan stands out among conservative Republicans in Congress: he puts numbers behind his vision of a smaller government, spend less on almost everything and turn federal health and other benefit programs into vouchers. “We’ve defined ourselves by putting our cards on the table with our budget. And we added more specificity than most budgets have had in the past because I think the time demands it and the numbers require it,” he says. That’s made him as big a target for the left as he is a hero to the right. One liberal group in 2011 ran an ad showing him pushing an old lady in a wheelchair off a cliff. Ryan has had personal experience with the safety net. At age sixteen, he collected Social Security survivor benefits after his dad died. Critics charge that makes him a hypocrite for pushing to scale back Social Security. He answers that, without change, the program is headed for certain collapse.

Off and on for the past thirty years, the federal budget and the budget deficit—the difference between what the government takes in and what it spends—have pushed their way onto newspaper front pages and widely read blogs, into presidential debates and congressional hearings, into AARP ads and Business Roundtable press releases, into calculations of traders on Wall Street and strategies of the secretive managers of China’s foreign-exchange hoard estimated at a staggering $3 trillion. Occasionally, talk about spending and taxes and deficits and debt even pops up in the kitchen-table and bar-stool conversations of ordinary Americans—the ones who pay the taxes, count on Social Security and Medicare, and elect the members of Congress who have, so far, been unable to fix what ails the national government’s finances.

The Washington jargon of budgeteers like Lew and Ryan excludes rather than informs the citizenry. It is peppered with words like baseline, authorization, appropriation, entitlement, and tax expenditure, and phrases like “Byrd droppings” and “changes in mandatory program spending,” or CHIMPS. The scale of the budget is overwhelming, the numbers so huge they are impossible to comprehend. As humor columnist Dave Barry once wrote, the dimensions of the federal budget are hard to grasp because millions, billions, and trillions sound so much alike. One has to think about golf balls, watermelons, and hot-air balloons to get an idea of the magnitudes.

In fiscal year 2011—from October 1, 2010, to September 30, 2011—the federal government spent $3.6 trillion, $400 million an hour, more than $30,000 per American household. By any measure, that’s a lot of money. In chapter 3, I’ll look more closely at where the money goes. But for now, a few observations:

Nearly two-thirds of annual federal spending is on autopilot and doesn’t require an annual vote by Congress.

Congress does have to pass legislation every year to keep the government operating. When it delays until the federal fiscal year begins on October 1, as it has lately, scares percolate about a government shutdown in which workers deemed “nonessential” would be told to stay home, national parks would be closed, and bureaucrats’ phones would go unanswered. But much of the money the government spends—nearly 63 percent in 2011—goes out the door every year without any affirmative vote of Congress. Social Security benefits get deposited. Health care bills for Medicare for the elderly and disabled and Medicaid for the poor are paid. Food stamps are issued. Farm subsidy checks are written. Interest payments are dutifully made to holders of Treasury bonds. Congress can alter these programs, but if it does nothing, the money is spent. As Eugene Steuerle, a Treasury economist in the Reagan years who is now at the Urban Institute think tank in Washington, puts it: “In 2009, for the first time in the nation’s history, every dollar of revenues had been committed before Congress walked in the door.” The government’s total take was only enough to pay for promises that had been made in the past—interest, Social Security, Medicare, Medicaid, and so on. For everything else, the government had to borrow.

The U.S. defense budget is greater than the combined defense budgets of the next seventeen largest spenders.

The United States spends about $700 billion a year on its military. That’s more than the combined military budgets of China, the United Kingdom, France, Russia, Japan, Saudi Arabia, Germany, India, Italy, Brazil, South Korea, Australia, Canada, Turkey, the United Arab Emirates, Spain, and Israel. Generals and admirals counter that the United States asks its military to do more than the forces of all those countries combined as well—to keep sea lanes open for international trade, for instance, and to be prepared to deploy almost anywhere. In all, $1 of every $5 the federal government spent in 2011 went to defense, and about 20 cents of that $1 was spent on the wars in Iraq and Afghanistan.

For every dollar the United States spends on the military, it spends another nickel on foreign aid, international development aid, and humanitarian assistance. Yet in a CNN poll in March 2011, the typical respondent estimated about 10 percent of the entire federal budget goes for “aid to foreign countries for international development and humanitarian assistance.” The reality: about 1 percent. That’s another problem with budgeting: the public makes woefully wrong assumptions about virtually every aspect of it.

Firing every federal government employee wouldn’t save enough to even cut the deficit in half.

Wages and benefits for everyone from the president to air force pilots to postal service clerks cost $435 billion in 2011. In all, the federal government employs 4.4 million workers, measured as full-time equivalents. About 35 percent are uniformed military personnel and another 29 percent are civilians working for the departments of Defense, Veterans Affairs, and Homeland Security. Wages and benefits account for $1 of every $8 the government spends, not an insignificant sum. But eliminating the federal workforce entirely would have pared the federal budget deficit in 2011 by only one-third.

Where does the rest of the money go? A lot of what government does is siphon money from some and give it to others, or occasionally to the same people. About $2.3 trillion, two-thirds of all federal spending last year, went to benefits of some sort for individuals: Social Security, Medicare, Medicaid, food stamps. Another $220 billion went for grants to state and local governments for everything from schools in poor neighborhoods to sewage-treatment plants.

“It’s the things that people want that are causing the problem,” Jack Lew says. “People have this feeling that others are getting the benefit, but when you look at what’s driving the deficit, it’s Social Security that people very much want. It’s Medicare that people very much want. It’s Medicaid, which is the long-term care program that means that people don’t have their eighty-year-old mothers and fathers living in the guest room when they need round-the-clock care.”

About $1 of every $4 the federal government spends goes to health care today, and that share is rising inexorably.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Subject Deserves More Passion
By George Fulmore
“Red Ink,” by David Wessel
Book Review
July 27, 2017
By George Fulmore

This is really a nothing book, in my opinion.
It may be of benefit If one wants to learn about some people and general concepts and history involved with the subject of the U.S. debt. But if you really want to learn enough about the subject to form an individual opinion of how all it works, this cannot be the book you need.
What this book does not do, for example, except in general ramblings, is to really tell you the basics of the annual deficit, nor the real cash history of the federal debt.
The copyright year is 2011, but it appears that most of the book was written in the 2009-2010 period, which was when we were just coming out of The Great Recession under President Obama. The federal annual deficit was less important then than getting the economy back on track, for sure. So, maybe this book was a victim of the time it was written.
Nevertheless, a much better book -- to get right to it -- is “Where does the money go?” by Bittle and Johnson. This book is far deeper in its explanations of how the U.S. budget works…or does not work. This book gives you a much better base upon which to lead you to your own knowledgeable opinions. Another book to consider would be “Who Really Pays the Taxes?” by Donald Bartlet.
But back to “Red Ink,” it fails to point out the obvious, for the most part, that the U.S. simply brings in less money than it spends. And that is the point, isn’t it? Isn’t that what the book should be about? But it is not, and, to make matters worse, the author finds people who actually say or imply that deficits or the accumulation of the debt do not matter, which, to me is nuts. Nuts.
So, in my opinion, without the conviction that the increasing federal debt is a very large problem, the book really does not go anywhere. It just rolls along, telling the reader about people and events and such. It’s like it is a very nice overview book with little to say. And, in addition, it seems to assume that you must know who most of the people featured in the book are and can picture them saying what they say. Some of these folks are Paul Ryan, Paul Krugman, Leon Panetta, Ronald Reagan and others.
While the book does mention the excellent website from the Treasury Department, Debt to the Penny, it also says that the U.S. ran annual surpluses in the years 1998 through 2001, when it did not. Yes, there were some periods in those years when the deficit was not rising, but by the end of each fiscal year in that period, the total debt had risen. Period. And, yes, if we had stayed on course after George W. Bush was elected, as is pointed out in the book, we could have run down the debt, which was only about $5.6 trillion at the time. But we did not, and things really took off after that, which, to me, is what the author should have based the book on…but he did not.
What is a bit funny is that the book really does cover most of the key points one would want to know about the history of the U.S. debt and its components. But what is sad is that it just kind of lumbers along with the information without, in my opinion, ever getting anywhere with it.
So, in conclusion, if you want to read a book about the U.S. debt, with the goal of knowing a bit more about the subject, but going away with an “ah shucks” opinion about any urgency about the debt getting bigger and bigger, this may be the book for you. But I think you can do better, so, again, I recommend “Where does the Money Go?” as a better alternative.
To me, this increasing U.S. debt really is a big deal. The more U.S. residents who understand this, the better.
I don’t think that “Red Ink” is going to increase the number of such people substantially, for reasons expressed above. For that reason, I do not recommend the book.

0 of 0 people found the following review helpful.
Highly recommended
By MG Boston
Wish the politicians would read it. If they could read.

0 of 0 people found the following review helpful.
Great summary for all Citizens to read
By PuraVida
Succinct and bi-partisan accounting of a complex and politically charged topic. Every american who votes should be required to read this or have it explained to them.

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Senin, 17 Desember 2012

[G345.Ebook] Download PDF The Craft of the Cocktail: Everything You Need to Know to Be a Master Bartender, with 500 Recipes, by Dale DeGroff

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The Craft of the Cocktail: Everything You Need to Know to Be a Master Bartender, with 500 Recipes, by Dale DeGroff

The Craft of the Cocktail: Everything You Need to Know to Be a Master Bartender, with 500 Recipes, by Dale DeGroff



The Craft of the Cocktail: Everything You Need to Know to Be a Master Bartender, with 500 Recipes, by Dale DeGroff

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The Craft of the Cocktail: Everything You Need to Know to Be a Master Bartender, with 500 Recipes, by Dale DeGroff

The first real cookbook for cocktails, featuring 500 recipes from the wolrd's premier mixologist, Dale DeGroff.

Covering the entire breadth of this rich subject, The Craft of the Cocktail provides much more than merely the same old recipes: it delves into history, personalities, and anecdotes; it shows you how to set up a bar, master important techniques, and use tools correctly; and it delivers unique concoctions, many featuring DeGroff’s signature use of fresh juices, as well as all the classics.

It begins with the history of spirits, how they’re made (but without too much boring science), the development of the mixed drink, and the culture it created, all drawn from DeGroff’s vast library of vintage cocktail books. Then on to stocking the essential bar, choosing the right tools and ingredients, and mastering key techniques—the same information that DeGroff shares with the bartenders he trains in seminars and through his videos. And then the meat of the matter: 500 recipes, including everything from tried-and-true classics to of-the-moment originals. Throughout are rich stories, vintage recipes, fast facts, and other entertaining asides.

Beautiful color photographs and a striking design round out the cookbook approach to this subject, highlighting the difference between an under-the-bar handbook and a stylish, full-blown treatment. The Craft of the Cocktail is that treatment, destined to become the bible of the bar.

  • Sales Rank: #16058 in Books
  • Brand: Clarkson Potter
  • Published on: 2002-10-15
  • Released on: 2002-10-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.40" h x .80" w x 7.70" l, 2.15 pounds
  • Binding: Hardcover
  • 240 pages

From Booklist
The cocktail goes in and out of fashion, and home bartenders need to replace their mixology recipes regularly to account for newly invented cocktails and rediscovered old ones. The Craft of the Cocktail, by Dale DeGroff, surpasses ordinary bar guides by not only providing directions for nearly every imaginable mixed drink but also serving as a trove of cocktail lore. After presenting a brief history of the bartender's art, DeGroff gives a history of each of the major liquors. He discusses drink-mixing techniques, including a thoughtful, dispassionate resolution of bartending's enduring dispute: shaking versus stirring. The inventory of mixed drinks is suitably comprehensive, and a concluding glossary aids readers with definitions of otherwise unfamiliar terminology. Mark Knoblauch
Copyright © American Library Association. All rights reserved

From the Inside Flap
Cocktails are bigger than ever, and this is the first real cookbook for them, covering the entire breadth of this rich subject. The Craft of the Cocktail provides much more than merely the same old recipes: it delves into history, personalities, and anecdotes; it shows you how to set up a bar, master important techniques, and use tools correctly; and it delivers unique concoctions, many featuring Dale DeGroff's signature use of fresh juices, as well as all the classics.
Debonair, a great raconteur, and an unparalleled authority, Dale DeGroff is the epitome of Perfect Bartender, universally acknowledged as the world's premier mixologist. From Entertainment Weekly and USA Today to the Culinary Institute of America and the nation's best restaurants, whenever anybody wants information or training on the bar, they turn to Dale for recipes, for history, for anecdotes, for fun--for cocktail-party conversation as well as for cocktails.
That's what The Craft of the Cocktail is--the full party, conversation and all. It begins with the history of spirits, how they're made (but without too much boring science), the development of the mixed drink, and the culture it created, all drawn from Dale's vast library of vintage cocktail books. Then on to stocking the essential bar, choosing the right tools and ingredients, mastering key techniques--hints worthy of a pro, the same information that Dale shares with the bartenders he trains in seminars and through his videos. And then the meat of the matter: 500 recipes, including everything from tried-and-true classics to of-the-moment originals. Throughout are rich stories, vintage recipes, fast facts, and other entertaining asides. Beautiful colorphotographs and a striking design round out the cookbook approach to this subject, highlighting the difference between an under-the-bar handbook and a stylish, full-blown treatment. The Craft of the Cocktail is that treatment, destined to become the bible of the bar.

About the Author
DALE DeGROFF has been called “the Billy Graham of the holy spirits” by the London Tribune and “a master” by Martha Stewart, and is widely acknowledged to be the preeminent mixologist in the world. He’s been featured in dozens of magazines and newspapers, including The New York Times, The New Yorker, GQ, Entertainment Weekly, Penthouse, Food & Wine, and Forbes; his television appearances include Martha Stewart Living and Today. For twelve years, Dale ran the bar at New York City’s Rainbow Room and now serves as a consultant for such top restaurants as Balthazar. He has taught at the Culinary Institute of America (and stars in their bartending video) and the Institute for Culinary Education, among other venues. Dale grew up in Westerly, Rhode Island, and now lives on Long Island.

Visit Dale DeGroff at www.kingcocktail.com.

Most helpful customer reviews

35 of 36 people found the following review helpful.
Great, but beware!
By spo00n
Dale DeGroff is the man who set the stage for the return of the great American art of the cocktail. He brought back so many lost cocktail treasures and laid the path for all of us to follow. This book is a great way to learn not only those recipes, but why freshness and quality count. You will learn the proper technique, and attitude and get an idea of what resources to look for and what to research. Cocktail history is extraordinarily important to learning to mix a great cocktail.
The only things to watch out for are a few of his recipe modifications. The most egregious & disgusting is his Sazerac. I wish to make it a crime from here on out to ever make Dale DeGroff's version of The Sazerac. It is a horrid combination of Cognac, Rye Peychaud & Angostura bitters and absinthe and too much simple syrup. Either Cognac or Rye, and no Angostura, please. There are a few others that I don't remember off the top of my head, but otherwise it is a great book. I also disagree with his implying that measuring is less of a talent than free-pouring. Free-pouring accurately is possible, but is in my opinion best left for the likes of Mr. DeGroff, and no one else. I've encountered far too many who are insulted at the suggestion they measure over demonstrating their total lack of accuracy at the free-pour. A measured cocktail will always be the same & is made no slower. There are quite a few drinks that are easily destroyed by lack of absolute accuracy. Stick to measuring.
The ingredients section could be a bit more in depth. For example, he doesn't really point out the differences among London Dry, Plymouth, Old Tom (it is indeed avaiable), and Genever or Holland Gin & what kind of cocktails they are used in.
Mr. DeGroff has a refreshingly democratic approach to cocktails. He includes recipes that others might pooh-pooh as inferior or silly because they are for a more juvenile palate. Alas, they may be, but people do drink them & there's nothing wrong with that, as long as they're made well, besides a deliciously complex cocktail will easily rid one of a taste for the childishly simple and sweet.
If you read this definitely read "Imbibe!" and "Vintage Spirits and Forgotten Cocktails".

3 of 3 people found the following review helpful.
Forget those budget cocktail books for $5-10. Get a real cocktail book. This one is a great one
By Jackal
I'm not a drinks expert, but I own 3-4 cocktail books and this is clearly the best all-round book. I highly recommend it, even if you only want one cocktail book in your library.

1/3 of the books is a bit of background. It starts out with history and goes into quite a bit of detail, but not super detail. If you really want a lot of history I would recommend Vintage Spirits and Forgotten Cocktails: From the Alamagoozlum to the Zombie 100 Rediscovered Recipes and the Stories Behind Them. Then sections on ingredients, methods, and equipment follow. You get 2 pages on vodka and 1.5 pages on muddling just to give you a feel for the level of detail in this section.

2/3 of the book is devoted to recipes. This section is alphabetical, except for groups being lumped together. So all martini-drinks are found under M even if they don't all start with M. This is a great and practical way of organising the list. A bit of background information is provided for the classical cocktails. The selection of cocktails is clearly larger that most readers/drinkers would ever be interested in. In addition there are some boxes with interesting information.

6 of 6 people found the following review helpful.
Kindle version's search function gets a workout
By johnjorg
A couple other reviewers already commented on the lack of a good index or a means of searching by ingredient rather than cocktail name. The good news is - the Kindle's search engine allows one to overcome this. The Kindle version (can't speak for the hardcover) also has extensive "links to pertinent websites" and "other resources" sections in the back which offset these apparent shortcomings in the hardcover version, but they aren't noted in the Table of Contents.
I'd have given the book 3 stars if I couldn't search w/Kindle. It has better than average history and technical (i.e., how-to and what-to) information and an excellent Glossary and, as mentioned, good further reading and resources sections with active links, but it is average to below average for recipe retrieval for a bar book (alphabetical listing, no listing by ingredient).
Also, I loved the subchapter heading "PROHIBITON AND REPEAL" (sic). Was an editor trying out recipes?
What I didn't like was light blue links in the text that went nowhere when I clicked on them. For example, Mr.DeGroff refers to a drink called "Flamingo" in his excellent "Mixing Terms and Techniques" to illustrate a technique; I clicked on the highlighted link but got nothing but a definition describing a pink-feathered bird. BUT, considering the book was published in 2002, well before e-readers became ubiquitous, I can't really get too upset over a few broken links. As I wrote earlier, the bar resources and further reading sections in the back do have links that work including links to some of the better cocktail recipe sites. Perhaps the "Table of Contents" or even the "product description" could be amended to highlight these very desirable inclusions.

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Kamis, 13 Desember 2012

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Wild In Bed Together; How To Drive Your Man Wild In Bed; How To Drive Your Woman Wild In Bed. 3 Vols.

  • Sales Rank: #16805833 in Books
  • Published on: 1995-11
  • Dimensions: 7.25" h x 4.50" w x 2.25" l,
  • Binding: Paperback

Most helpful customer reviews

3 of 4 people found the following review helpful.
Very informative, good conselling, accurate facts.
By A Customer
Well worth the money

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Jumat, 07 Desember 2012

[M203.Ebook] PDF Download Prosciutto e uova verdi [ Green Eggs and Ham Italian edition ], by Dr. Seuss

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Una delle opere pi� conosciute del Dr. Seuss, sia per la vivacit� delle immagini, sia per la simpatia del testo, che verte attorno a un vassoio contenente un insolito cibo colorato... Et� di lettura: da 6 anni.

  • Sales Rank: #267113 in Books
  • Published on: 2012-01-01
  • Original language: Italian
  • Dimensions: 8.90" h x .39" w x 6.06" l,
  • Binding: Paperback
  • 64 pages
Features
  • Autore: Dr. Seuss
  • Titolo originale: Green Eggs and Ham
  • Formato: Brossura
  • 15.5 x 22.5 cm
  • Pagine: 64

Most helpful customer reviews

5 of 5 people found the following review helpful.
Just What I Needed
By Tiffers40
My neighbors are Italian and having difficulty finding children's storybooks here in Italian. This is great, can't wait to give it to the kids for Christmas. I do wish these were hardback, as I somehow missed that on the description even though it was there.

3 of 3 people found the following review helpful.
Great book in Italian
By Ozzie
We were very glad to share this book with italian Friends. I cannot vouch for the translation, since I do not speak italian. We also purchased as gifts: the Rainbow Fish, The Giving Tree, and The Very Hungry Catepillar, all in Italian.

3 of 3 people found the following review helpful.
Just as great as the English version.
By CasaNuova
My 18 month old daughter loves the rhyme of this book and it's great practice for my Italian. Definite winner.

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Kamis, 06 Desember 2012

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PowerCenter - The Complete Reference is a one-stop guide for PowerCenter developers of all different levels: beginners, intermediate, advanced, expert an enterprise level. Step by step instructions with illustrations and about 100 screen shots guide you in learning every aspect of PowerCenter at your own pace. Start from the beginning or directly jump to a chapter to learn a specific aspect such as Web Services or XML. Learn PowerCenter or advance your PowerCenter skills at your own pace. Every part and chapter is uniquely designed around an aspect of the technology so that readers can pickup any specific chapter and learn it

  • Sales Rank: #308528 in Books
  • Published on: 2014-06-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.25" w x 7.50" l, 2.07 pounds
  • Binding: Paperback
  • 552 pages

About the Author
Keshav Vadrevu is an industry renowned Data Integration Architect. He works at Informatica Corp as Big Data Lead Specialist He was the finalist of the Informatica Innovation Awards, 2004 and Lenovo’s T3CH1ES award, 2014 for his exceptional contribution to the Information Technology industry. Keshav Vadrevu has 15+ years of experience in IT industry with most of his experience in Data Warehousing, Data Integration, SOA, Complex Event Procesing and Big Data areas. He holds a record of 25+ IT certifications in programming languages, databases, Data Integration, Data Quality and Big Data technologies. Author of many articles and one of the largest contributors to Informatica’s internal Knowledgebase, Keshav Vadrevu now brings us the first ever complete reference on Informatica PowerCenter

Most helpful customer reviews

5 of 5 people found the following review helpful.
Not enough
By A. Ali
I wasn't sure whether to award two stars or three. It's not a "complete reference," as it advertises itself to be -- though the 550 pages had me fooled. Too much white space and the diagrams gobble up space. The descriptions are the bare minimum -- no real thought and analysis has gone into the book. One might learn something from the lab exercises. So why three stars? As far as I know, there's no other book out on Informatica. And it's not expensive as books go these days.

5 of 5 people found the following review helpful.
Book is good for beginners and fresher
By A. Uttam
I wouldn't say that this book is a complete reference for Informatica. But it does have very good descriptions of the mainline features. The lab that is included is passable but I wouldn't say it was as nitty gritty as it should be for a complete reference. More like here is a high level overview, good luck in the real world. Buy this book if you don't know where to start. If you have more than 2 years of experience you won't find anything in here that a google search can't find.

1 of 1 people found the following review helpful.
Only book on Amazon that covers Informatica. I purchased ...
By Drew
Only book on Amazon that covers Informatica. I purchased this book some time ago after starting a new position as an ETL Developer, and it has been priceless thus far. This book, combined with some formal training from the Informatica website, will provide you with all the basic Informatica knowledge needed to learn the software. A+, would advise others to purchase this item.

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